Hispanic Heritage: Souvenir from the work of muralist Diego Rivera on Mexican Independence Day
“Libya was like Paul Revere. He shouts: “The Nazis are coming, the Nazis are coming,” said Libya, called “Pan American Unity,” emphasizing World War II. Wilmeines, who has studied one of Libya’s most famous murals, said.
“If Hitler won in Europe and everyone thought he was, he was going to take a malicious look at the Americas. We had to be a united front, ”he explained. low.
Maynez told ABC7 that Rivera envisions a unity between the rich culture of Mexico and the industrialized United States. This is the theme behind the fresco.
In 1940, Rivera began painting on ten steel mesh panels and cement based on limestone plaster.
In this way, it was transported to San Francisco Junior College, where it was stored, was eventually moved to an inconvenient location and packed into a small performing arts theater.
For years, people only really admired a third of Rivera’s concept.
“Everything was put on hold for WWII, and after WWII we made a good transition into the Cold War. Rivera is Comey. He’s never coming back, ”Maynes revealed.
City College will eventually be exhibited in a much larger public space to be built.
Meanwhile, the murals have been rented from the San Francisco Museum of Modern Art for at least two years and are open to the public for free.
See: Hispanic Cultural Heritage Month: What Makes the Hispanic Community Strong? Members explain
To get to the museum, a team of Mexican experts and engineers safely stabilized, placed each panel in a custom crate, and toured the city.
Maynez enjoys the space currently at MOMA. “You can stay there, I’m just a ‘encantard’ because you can really interact with the murals. “He says, he’s happy.
In 1926, another part of the city, the San Francisco Art Institute had a new building and a lot of free space.
“This is a great opportunity for Diego Rivera to come to California and paint a mural,” said Jeff Ganderson, librarian and archivist at the Institute.
Four years later, in 1930, the then chairman of the board asked his friend Rivera to paint what is now called “creating frescoes”. It took Rivera a month to complete.
He remembers thanking his financial backers, but apparently the central figure is the blue collar.
“He has a red star, a red badge in his pocket, symbolizing Rivera’s good left, Comey’s dedication,” Ganderson explained.
Rivera painted herself, seated in the middle and shown, while making the mural.
Today you will be amazed at what Rivera charged them. The signed and archived receipt shows one payment of $ 2,500 and the other of $ 500.
“It was a lot of money back then,” Ganderson said.
That same year, Rivera’s connection with San Francisco took him to a luxury club in the city of San Francisco. In this issue of The Allegory of California, leading California women support the people of the day and their innovation.
Again, Ganderson of the Institute of Arts says Rivera emphasizes the average worker floating in the state.
“Looking there, we see the timber and mining industries, and it looks like an environmental disaster is happening, but he sees how he is using natural resources as a labor force and for them. people improve themselves. I respect him, ”he added. ..
Rivera’s latest mural in the Bay Area can be found at the University of California, Berkeley. Painted at Rosalie Meyer Stern in Asserton. The murals finally continued in 1956 when the university named the dormitory after Stern. A small fresco titled “Still Life and Almond Blossoms” has a plexiglass barrier.
The children in the murals, descendants of Levi Strauss, were the grandchildren of Rosalie Stern. The mural was a gift for him and the family who welcomed his wife Frida Kahlo.
Gray Bressin, an academic at the University of California at Berkeley, said, “They’re actually fighting in overalls, but they’re enjoying the fruits of these men’s labor, which shows the two elite families. I have. “
As always, Mexican farm workers hold a prestigious position in society because of Rivera’s words: “The best thing I have done is what I deeply feel. “
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Hispanic Heritage: Souvenir from the work of muralist Diego Rivera on Mexican Independence Day Source link Hispanic Heritage: Souvenir from the work of muralist Diego Rivera on Mexican Independence Day